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Sergei Eisenstein

cinematography

Dziga Vertov – The Man with the Camera

Harald Sack
On January 2, 1898, Soviet pioneer documentary film and newsreel director, as well as a cinema theorist Dziga Vertov was born. He is considered one of the most important early directors of documentary films because of both his experimental work and his theoretical texts. Vertov was a brother of the later Hollywood cinematographer and Oscar winner Boris Kaufman and the cinematographer Mikhail Kaufman, with whom he collaborated, for example in his most…
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cinematography
Luis Buñuel and his Cinema of the Absurd and Desire

Luis Buñuel and his Cinema of the Absurd and Desire

Harald Sack
On February 22, 1900, Spanish, later naturalized Mexican, filmmaker Luis Buñuel was born. Often associated with the surrealist movement of the 1920s, Buñuel created films from the 1920s through the 1970s. Having worked in Europe and North America, and in French and Spanish, Buñuel also directed films spanning various genres. His first picture, Un Chien Andalou — made in the silent era — is still viewed regularly throughout the world and retains its…
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cinematography
Sergei Eisenstein and the Art of Montage

Sergei Eisenstein and the Art of Montage

Harald Sack
On January 22, 1898, Soviet film director and film theorist Sergei Mikhailovich Eisenstein was born. Eisenstein is considered a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). “American capitalism finds its sharpest and most expressive reflection in the American cinema.” — Sergei…
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