Victorian Art, Love, and Poetry – Elizabeth Barrett Browning

Elizabeth Barrett Browning's poetry was widely popular in both England and the United States during her lifetime and ever since.

Elizabeth Barrett Browning (1806-1861)

How Do I Love Thee?

How do I love thee?
Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.
— Sonnet XLIII

Elizabeth Barrett Browning‘s poetry was widely popular in both England and the United States during her lifetime and ever since. Actually she was one of the most prominent poets of the Victorian era. Among her most famous works are her Sonnets, of which I especially like one above. Empathetic due to her own lifelong physical sufferings but evocative of profound intellectual thought, Browning’s poems are considered among the greatest contributions to English poetry for the nineteenth century.

As the eldest of 12 children, Elizabeth Barrett was born in 1806 in England. Her father Edward Moulton Barrett had accumulated great wealth from his Jamaican sugar plantations. Elizabeth benefited from her privileged life as a child. She was educated at home and attended lessons with her brothers’ tutor. It was said that she was an intensely studious, precocious child. Actually she claimed that at six she was reading novels, at eight she was entranced by Pope’s translations of Homer, studying Greek at ten and writing her own Homeric epicThe Battle of Marathon‘. Her mother compiled early efforts of the child’s poetry into collections of “Poems by Elizabeth B. Barrett“.

Unfortunately Elizabeth was stricken with illness around the age of fifteen. A course of opium was prescribed for medical reasons, but it should become a lifelong habit. Despite a nervous collapse, a period of grief occasioned by the untimely deaths of two brothers, a lifetime of illness, and the domination of her father, she continued to write poetry and essays about politics and social injustices.

Robert Browning (1815-1879)

In 1846 she escaped her father‘s control to Florence, Italy, with Robert Browning, to whom she dedicated her best-known book, Sonnets from the Portuguese, published in 1850. It is a set of 44 love poems recording the growth of her love for the poet Robert Browning, who first admired her poetry, then became her friend, and finally her husband. He often called Elizabeth “my little Portuguese” because of her dark complexion. After their marriage, they moved to Italy, where her health markedly improved and she gave birth to a son.

“If thou must love me, let it be for nought
Except for love’s sake only.”
— Sonnets from the Portuguese (1850)

Years later modernist author Virginia Woolf (18821941) [1] called Elizabeth Barrett Browningthe true daughter of her age.’ Woolf‘s praise attracted many modern readers to Elizabeth Barrett Browning‘s work. In the same way, Emily Dickinson (18301886) [2] names Elizabeth as her primary inspiration, who admired her as a woman of achievement. No other 19th century female poet was more esteemed than Elizabeth Barrett Browning. Her popularity in the United States and Britain was further advanced by her stands against social injustice, including slavery in the United States, injustice toward Italian citizens by foreign rulers, as well as child labour.

At yovisto academic video search you might learn more about Victorian art, love, poetry and life as discussed and analyzed by professors Richard Ruppel and Wendy Salmond during Poetry Week at Chapman University. Ruppel, professor of English, breaks down the poems by Elizabeth Barrett Browning, Robert Browning and Christina Rosseti.

References and Further Reading:

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