On November 1, 1512, Michelangelo Buonarotti removed the scaffolding from the Sistine Chapel and reveiled his famous masterpiece frescoes on the ceiling. It is considered a cornerstone work of High Renaissance art.
Pope Julius II was known to be investing much to emphasize the political role of the Church and started to rebuild St. Peter’s Basilica in 1506. In the same year, he started his program to paint the Sistine Chapel’s ceiling. When Michelangelo was occupied with this work, he had basically no choice and signed his contract two years later. Originally, the pope planned twelve larger figures but Michelangelo was eventually allowed to create his own design, which resulted in over three hundred figures and took four years to execute.
Before starting to paint, Michelangelo had to build his own scaffold but still, the working conditions were incredibly uncomfortable as he was standing and looking towards the ceiling for over four years. At first, he used damp plaster, which unfortunately started to mold. The artist had to start all over again, using a different formula. Even though it was very unusual for artist back then, Michelangelo drew directly onto the ceiling. He began at the end of the building furthest from the altar and progressed towards the altar with images from the creation. By the time, his object got larger and the end displays God in the act of creation and was painted in one single day.
In general, the ceilings topic reflects “the doctrine of humanity’s need for Salvation as offered by God through Jesus”. The nine scenes from the Book of Genesis depict the main components. Further figures illustrate dramatical biblical stories and the birth of Jesus. Even though the used symbols date from the early church, elements from general Renaissance thought were used as well. The ceiling offers many interpretations of Michelangelo’s religious and political views. It is assumed that he often was in conflict with his Christian beliefs and his homosexual desires. But things like these can only be speculated.
Michelangelo’s influences go back to his long time teacher Domenico Ghirlandaio, who was well known for his brilliant fresco paintings himself. Further early and important influences were Giotto and Masaccio. During and after his work on the Sistine Chapel, Michelangelo influenced several artists himself. Even though the ceiling was far from being finished, artists came to study the brilliant Michelangelo and oriented their current and future projects on the famous artist’s work. Known to be directly influenced by Michelangelo’s work on the ceiling were Andrea del Sarto, Correggio, Tintoretto, Annibale Carracci, Paolo Veronese and El Greco.
At yovisto, you may enjoy a video lecture by Professor Kenney Mencher on Michelangelo and the Sistine Chapel Ceiling.
References and Further Reading:
- Zoomable Panoramic View of the Sistine Chapel Ceiling
- The Sistine Ceiling and the Holy Spirit
- The Sistine Chapel at Art History
- Sistine Chapel ceiling at 500: The Vatican’s dilemma at BBC
Related Articles in the Blog:
- Giorgio Vasari – The First Art Historian
- St. Peter’s Basilica in RomeAll posts at yovisto Blog related to the Renaissance