On February 20, 1751, German poet and translator Johann Heinrich Voss was born. He is probably best known for his translation of Homer‘s Odyssey (1781) and Iliad (1793) into German. He also undertook, with his sons, a translation of Shakespeare which was completed in nine volumes in 1829, but this translation cannot stand a comparison with Schlegel‘s. Being a native German, I know Homer‘s works only in the translation by Voss, and it has inspired me since the days of my childhood.
Johann Heinrich Voss was born the oldest of five siblings at Sommersdorf in Mecklenburg-Strelitz, Northern Germany, as the son of Johann Heinrich Voss, a farmer, and his wife Katharina Dorothea Karsten, the daughter of an organist. After attending the Gymnasium at Neubrandenburg from 1766–1769, he was obliged to accept a private tutorship in order to earn money to enable him to study at a university. Encouraged by his local pastor, he sent some of his poems to the Göttinger Musenalmanach, a popular German literary annual founded by Heinrich Christian Boie and the poet and dramatist Friedrich Wilhelm Gotter in 1770. The poems raised the attention of Boie and they began to exchange letters.
At the invitation of Boie, Voss went to the University of Göttingen in 1772, where he studied theology (briefly) and philology, his studies encompassing both classical and modern languages, and became one of the leading spirits in the famous Göttinger Hain or Dichterbund, a group of young poets. In 1774 Boie made over to him the editorship of the Musenalmanach, which he continued to issue for several years until 1800. He married Boie’s sister Ernestine in 1777.
In 1778 Voss was appointed rector of the school at Otterndorf, Hanover. In 1781, after the publication of several treatises, he produced a German-language text for Homer’s Odyssey. This work made the poem national with the Germans.
In 1782, Voss accepted the rectorship of the gymnasium at Eutin. There, in 1789, he published translations of Virgil‘s Eclogues and Georgics. In 1793, his translation of Homer’s Iliad appeared, along with the Odyssey in a new form. He also produced two volumes of controversial letters addressed to Christian Gottlob Heine (Mythologische Briefe, 1794).
Voss published his collected poems in 1802. As a lyricist he wrote mainly songs, odes, elegies, and pastoral idylls in the style of the ancients and of the German Neoclassical poet Friedrich Klopstock.  Voss’s idyll Luise (1795), which portrays with naturalistic ease the life of a country pastor’s family, inspired Goethe to write Hermann und Dorothea. His poems were often set by contemporary composers such as C.P.E. Bach, Johann Friedrich Reichardt, and Johann Abraham Peter Schulz, and also later composers such as Felix Mendelssohn, Carl Maria von Weber, and Johannes Brahms. Many of his poems and settings of them were published in the Musenalmanach.
He retired from Eutin due to the ungenial work in 1802 with a pension of 600 thalers, and settled at Jena as a private scholar. In 1805, although Johann Wolfgang von Goethe used his utmost endeavours to persuade him to stay, Voss accepted a call to a professorship of classical literature at the University of Heidelberg. Here, in the enjoyment of a considerable salary, he devoted himself entirely to his literary labours, translations and antiquarian research. An ardent rationalist, he waged an embittered struggle against the younger Romantics and became increasingly lonely before his death in 1826.
Voss was regarded by Goethe and other German poets as an authority on Classical metres, but his pedantic regard for the niceties of form and language made his later translations seem strained. It is, however, as a translator that Voss chiefly owes his place in German literature. His translations indicate not only sound scholarship but a thorough mastery of the laws of German diction and rhythm. The most famous of his translations are those of Homer. The translation of the Odyssey, as originally issued in 1781, is singled out as the most successful. He also translated Hesiod (1806), Theocritus, Bion and Moschus (1808), the whole of Virgil (1799, rev. ed. 1821), Horace (1806), Tibullus (1810), Propertius (1830) and selections from Ovid (1798). He prepared a critical edition of Tibullus. From 1818 to 1829, a translation of William Shakespeare’s plays in 9 volumes was published. This work Voss completed with the help of his sons Heinrich and Abraham, both of whom were scholars and writers of considerable ability, though the result has been characterized as less successful than Schlegel’s work.
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References and Further Reading:
-  August Wilhelm Schlegel and his Shakespeare Translations, SciHi Blog, September 8, 2014.
-  Johann Heinrich Voss, German Poet, at Britannica Online
-  Works by or about Johann Heinrich Voss at Internet Archive
-  Felix Mendelssohn – Child Prodigy of the Romantic Era, SciHi Blog, November 4, 2012.
-  Brush Up Your Shakespeare, SciHi Blog, April 26, 2013.
-  Johann Heinrich Voss at Wikidata
-  Johann Heinrich Voss at Reasonator